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Versailles, Cathédrale

Saint Louis

4 place Saint Louis, 78000 Versailles

Orgue de choeur OdT>

1880 - Aristid Cavaillé-Coll

1911 - Charles Mutin

1940/47 -Jules Bossier

1978 - Adrien Maciet

2001 - Gildas Ménoret

II/14 (15) - transmissions mécaniques

stoplist

I : Grand-Orgue (56 notes) Bourdon 16' Montre 8' Flûte Harmonique 8' Bourdon 8' Prestant 4' Doublette 2' Plein-Jeu III rgs II : Récit expressif (56 notes) Flûte douce 8' Salicional 8' Voix Céleste 8' Flûte octaviante 4' Basson 16' Trompette 8' Basson-Hautbois 8’ Pédale (30 notes) Soubasse 16’ (emprunt du GO) 14 jeux - 2 claviers manuels de 56 notes et pédalier 30 notes Transmission mécanique des claviers et des jeux Accouplements : II/I ( 8,16') Tirasses : I/P - II/P Appel + renvoi d'anches (du Récit) : l'astucieux mécanisme permet toujours par la rotation des tirants de pré-sélectionner les jeux correspondants. Appel Mixture GO Appel trémolo général Expression Récit par cuiller Le jeu de Soubasse n'a toujours pas de tirant, l'appel et le renvoi se font par une cuillère Videos Christian Ott photos: Vincent Hildebrandt
The old chancel organ of the cathedral was built in 1837 by the organbuilder John Abbey, established in Versailles (rue de la Chancellerie, near the cathedral and the castle). It was then composed of 9 stops: six on the Grand'Orgue: Flûte, Bourdon, Prestant, Doublette, Plein Jeu, Trompette and three on the Récit: Flûte Ouverte, Prestant, Hautbois. In 1863, the instrument was restored by Cavaillé-Coll. It was transferred in 1883 to the new cathedral of Tunis and then replaced in 1923 by a large Mutin organ and has probably disappeared. Read more... In 1880, a new organ was built by Aristide Cavaillé-Coll, which replaced the organ of John Abbey. In 1911, Charles Mutin made changes. In 1940 and 1947: two interventions by organbuilder Bossier in the neo-classical style, adding mutations to the GO (nazard and tierce) and placing the Plein Jeu in the Récit on a posted windchest. In 1978, Adrien Maciet made a total readjustment of the mechanism, changed the bench that had become too narrow and installed a new 30-note pedalboard. In 2001, a restoration by Gildas Ménoret of Nantes: return to the Cavaillé-Coll organ (removal of the mutations of the GO, restitution of the romantic Plein-Jeu to the GO). Source
Organs of Paris

Versailles,

Cathédrale

Saint Louis

4 place Saint Louis, 78000 Versailles

Orgue de choeur OdT>

1880 - Aristid Cavaillé-Coll

1911 - Charles Mutin

1940/47 -Jules Bossier

1978 - Adrien Maciet

2001 - Gildas Ménoret

II/14 (15) - transmissions mécaniques

stoplist

I : Grand-Orgue (56 notes) Bourdon 16' Montre 8' Flûte Harmonique 8' Bourdon 8' Prestant 4' Doublette 2' Plein-Jeu III rgs II : Récit expressif (56 notes) Flûte douce 8' Salicional 8' Voix Céleste 8' Flûte octaviante 4' Basson 16' Trompette 8' Basson-Hautbois 8’ Pédale (30 notes) Soubasse 16’ (emprunt du GO) 14 jeux - 2 claviers manuels de 56 notes et pédalier 30 notes Transmission mécanique des claviers et des jeux Accouplements : II/I ( 8,16') Tirasses : I/P - II/P Appel + renvoi d'anches (du Récit) : l'astucieux mécanisme permet toujours par la rotation des tirants de pré-sélectionner les jeux correspondants. Appel Mixture GO Appel trémolo général Expression Récit par cuiller Le jeu de Soubasse n'a toujours pas de tirant, l'appel et le renvoi se font par une cuillère Videos Christian Ott photos: Vincent Hildebrandt
ORGANS OF PARIS © 2025 Vincent Hildebrandt ALL ORGANS
The old chancel organ of the cathedral was built in 1837 by the organbuilder John Abbey, established in Versailles (rue de la Chancellerie, near the cathedral and the castle). It was then composed of 9 stops: six on the Grand'Orgue: Flûte, Bourdon, Prestant, Doublette, Plein Jeu, Trompette and three on the Récit: Flûte Ouverte, Prestant, Hautbois. In 1863, the instrument was restored by Cavaillé-Coll. It was transferred in 1883 to the new cathedral of Tunis and then replaced in 1923 by a large Mutin organ and has probably disappeared. Read more... In 1880, a new organ was built by Aristide Cavaillé-Coll, which replaced the organ of John Abbey. In 1911, Charles Mutin made changes. In 1940 and 1947: two interventions by organbuilder Bossier in the neo-classical style, adding mutations to the GO (nazard and tierce) and placing the Plein Jeu in the Récit on a posted windchest. In 1978, Adrien Maciet made a total readjustment of the mechanism, changed the bench that had become too narrow and installed a new 30-note pedalboard. In 2001, a restoration by Gildas Ménoret of Nantes: return to the Cavaillé-Coll organ (removal of the mutations of the GO, restitution of the romantic Plein-Jeu to the GO). Source